• Works on Paper
  • 2022 Tronome (performance)
  • Montez Press : Telepathic Movie & The Brain's Auditorium
  • 2022 Operazione Cospirazione (performance)
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  • Nausea
  • 2021 DIRECTO (performance)
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  • 2020 Acceptance Speech (performance)
  • Notes2Self
  • 2019 Prologo di Portia (performance)
  • Some Photographs
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  • Irina Jasnowski Pascual
  • Select Group Shows
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  • Some Drawings
  • Some Sculptures
  • Crude Tapes Mixtape 007
  • 2021 Mystical Movie (video)
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  • Closed Caption Book Series
  • About / Contact
2022 Tronome (performance)
2022 Operazione Cospirazione (performance)
2021 Mystical Movie (video)
2021 DIRECTO (performance)
2020 Acceptance Speech (performance)
2019 Prologo di Portia (performance)
__________________
Irina Jasnowski Pascual
About / Contact
CV
Nausea
Works on Paper
__________________
Select Group Shows
__________________
Some Drawings
Some Photographs
Some Sculptures
__________________
Performing Arts
Montez Press : Telepathic Movie & The Brain's Auditorium
Public Access Television Episodes
Closed Caption Book Series
Crude Tapes Mixtape 007
Notes2Self

Madrigals for Nausea 1 is a musical adaptation of an excerpt from Jean Paul Sartre’s 1938 novel, Nausea. 

It is the first part of an ongoing project to transpose the text to musical format. 


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about the original text:

Nausea is written from the perspective of its protagonist Antoine, a young scholar who is estranged from his surroundings and thus experiences repeated bouts of nausea when observing everyday occurrences, such as sitting at the cafe and noticing the purple color of a man’s overalls, his own hand inside the palm of another as he shakes hands in greeting, people walking on the seashore on a sunday and the roots of an oak tree. 

Through these observations the narrator experiences a sort of physical ailment, a destabilizing of body and mind which produces said Nausea. The format of musicals produces a similar de-stabilizing effect, disturbing yet accepted. 

The work is an attempt to embody the moments of nausea, animating it bodily through song and movement.





Madrigals for Nausea 1 is a musical adaptation of an excerpt from Jean Paul Sartre’s 1938 novel, Nausea. 

It is the first part of an ongoing project to transpose the text to musical format. 


-----
about the original text:

Nausea is written from the perspective of its protagonist Antoine, a young scholar who is estranged from his surroundings and thus experiences repeated bouts of nausea when observing everyday occurrences, such as sitting at the cafe and noticing the purple color of a man’s overalls, his own hand inside the palm of another as he shakes hands in greeting, people walking on the seashore on a sunday and the roots of an oak tree. 

Through these observations the narrator experiences a sort of physical ailment, a destabilizing of body and mind which produces said Nausea. The format of musicals produces a similar de-stabilizing effect, disturbing yet accepted. 

The work is an attempt to embody the moments of nausea, animating it bodily through song and movement.